The High Llamas may have started in 1991. The founding members Sean O'Hagan, Jon Fell and Rob Allum were joined by Californian Anita Visser and Marcus Holdaway. The Idea was to make melodic pop in opposition to the dull grunge obsessed UK and US orthodoxy of the early 90's
The starting point was Santa Barbara, harmony, 12 string guitars and Alex Chilton, very straight forward melodic pop but it was soon unseated by the gothic garage sweetly psyched Gideon Gaye, a budget record which sounded lo-fi but time trapped. The guitars were replaced by string quartets and the harmonies took over. The Beach Boys, Ornette Coleman and Jimmy Webb were looking in at this point as well as Robert Wyatt.
By now the band had a following and a record company. Anita had left for New York and John Bennett stepped in on guitar. The strings were accompanied by loose brass as Carla Bley, John Barry and Bernard Herman were added to the list of influences and the ridiculously long Hawaii gained fans all over the world. Cold and Bouncy did pretty much the same business but the part time addition of Andy Ramsay from Stereolab made sure there was a welcomed electronic presence and Dominic Murcott had taken up residency on vibes and marimba.
The band had always flirted with the Brazilian song form from Samba to Tropicalia and this became evident on Snowbug a record that was both loose and texturally different from its predecessors. The band were joined by the late Mary Hanson on Vocals with her Stereolab band mate Laetitia Sadier.
The High Llamas started to record for Duophonic and Drag City from here on starting out with the bazaar Buzzle Bee but quickly moved onto the serene and almost muted orchestral vibe of Beet, Maize and Corn 2003. This album saw the band once more touring the USA and enjoying the company of new arrival Pete Aves on Guitars and banjo.
2007 saw the release of the melodic and slightly soulful chimes of Can Cladders.
Four years on, 2011 will see the release of the band's latest offering Talahomi Way.
Along the way the band provided music for the US feature Sunburn in 2000 and plenty of other collaborations. Over the last 5 years, Sean has teamed up with Tim Gane to write and produce the soundtracks for French feature film maker Marc Fitoussi.